Street shot
When I walking on the street and being attracted by a certain person or scene, immediately picked up the camera.
When I walking on the street and being attracted by a certain person or scene, immediately picked up the camera.
In these works, artists across Asia and its diasporas address history and social change, transforming the body, language and visual traditions into forms of resistance.
In 1988 I was a student in the 1988 graduation class of the Oil Painting Department of the Zhejiang Academy of Fine Arts (now the China Academy of Art)1 and had embarked on the tense period of creating my graduation work.
Speaking on the basis of its lack of an avant-garde directing theory, the China/Avant-Garde Exhibition does not have an avant-garde character.
“Radio Free Asia” reported: Dissatisfied with collector Geoff Raby’s whitewashing of the CCP, Chinese artist Xiao Lu refused to attend the Sydney Art Exhibition. Reported link: https://bit.ly/3S3RLD9 This is a letter I wrote to Steven Alderton, CEO of the National Art School in Sydney, told him why I decline Geoff Raby. This is why I decline …
Speaker: Xiao Lu Host: Sarah E Fraser Hosted by CATS of University Heidelberg, Germany. Time: July 6, 2026, 18:15PM, CATS Auditorium R. 010.01.05
Artists: Ju Ji, Tian Longyu, Meng Site, Jin Shan, Li Wei, Samson Young, Liu Dahong, Huang Yongping, Xu Lei, Feng Mengbo, Jin Feng, Liu Ding, Xiao Lu, Chen Zhe, Wang Yuyu, Peng Yun, Chen Lingyang, Yan Lingyang Cuo Chunning, He yinping, He Yunchang, Ai Weiwei, Zhu Yu, Xu Zhen, Wu Chen, Ju Anqi, Song Yongping
Artists: Ai Weiwei, Cai Fei, Cai Yu, Chen Chunmu, Chen Haiyan, Chen Wei, Gen Jianyi, Guo Jian, He Yanyu, Li Binyuan, Lin Ke, Lin Yilin, Liu Xi, Lu Pingyuan, Lu Yuan, Luo Yongjin, Miao Ying, Nabqi, Ni Weihua, Pixy Liao, Pu Yingwei, Ren Hang, Shang Liang, Shi Xinning, Song Dong, Tamen+, Tao Siqi, Wang Haiyang, Wang Jinsong, Wang Jiuliang, Wang Tuo, Wang Ziquan, Xiao Lu, Xu Bing, Xu Zhen, Xi Yadie, Yang Fudong, Yang Yongliang, Zhang Huan,
“The China Moment” explores the developments of Chinese contemporary art since the late 1970s, a period of profound social, political, and cultural change.
Artists: Ai Weiwei;Chiharu Shiota;Shirin Neshat;Xiao Lu (肖鲁);Roberta Di Laudo;Daniel Romano;Joshua Cosimo;Sandra Miranda Pattin;Francesca Morozz.
Artists: Chen Baosheng, Chen Ren, Cong Ruri, Datongdazhang, Dai Guanyu, Dao Zi, Ding Fang, Ken Jianyi, Han Lei, Jian Hai, Kunming Photo studio, Liu chuanbao, Liu yiyuan, Mao Xuhui, Mao Yan, Mneg Luding, Pan Dehai, Ren Xiaoying, Sun Jianping, Wang Guangyi, Wei Guangqing,Wen Pulin, Wu Dayu, Xiao Feng, Xiao Lu (肖鲁), Xiao Quan, Yan Binghui, Yan Li, Yang Chongguang,Yang Feiyun, You Jingdong, Yuan Qingyi, Zhang Linhai, Zhang Beili, Zhang Qun, Zhao Bandi, Zhao Dewei, zheng Lianjie, Zhu Yanguang.
Xiao Lu never raised her voice — she fired a shot. In 1989, with two bullets, she shattered not only a pane of glass but also the silence surrounding women’s autonomy in Chinese art. At the time, she did not speak of feminism.
At this moment, I stand in the Bonn Women’s Museum, amidst a patch of weeds, breathing in and out, conveying the unbreakable bond of life between us, while simultaneously confronting the value divide we cannot communicate with.
Connecting Bodies: Asian Women Artists attempts a new examination of the contemporary meaning of post‒1960s art by Asian women from the perspective of ‘corporeality.’
In celebration of the 50th anniversary of the University of Oregon’s Center for the Study of Women in Society (CSWS), the museum has organized a special exhibition entitled Half the Sky: Women in Chinese Art, referencing by Chairman Mao Zedong’s 1968 quotation “Women hold up half the sky,” meaning that they are the equal of men.
Happening of various of the night or day, each performance involves the use a bottle of ink and 100 pieces of rice paper.
Solo Show: JUNK Artist: Xiao Lu Work: JUNK (Installation/Performance) Passage Gallery, Sydney 14 June -19 July 2024 About “JUNK” A black room, visible round the clock from the outside through glass. A black table, a bottle of ink, a brush-pen, several stacks of xuan paper. Eight red light bulbs. I come to Passage Gallery …
On February 29, 2024, Xiao Lu’s solo exhibition “The Dignity of Remembering” opening at the MARS Gallery in Melbourne, Australia.
Opening on June 14th, between 6PM-8PM is renowned performance artist Xiao Lu’s latest installation and performance ‘JUNK’ at passage Gallery in Sydney.
On February 29, 2024, Xiao Lu’s solo exhibition “The Dignity of Remembering” opening at the MARS Gallery in Melbourne, Australia. The opening ceremony started at 6 pm, and some Hong Kong people posted Stickers next to three photos of Hong Kong’s “return in progress” in 2019.
Rubble from Melbourne construction site was placed in the exhibition space at Mars Gallery, using a photo of Xin Jian villages in Beijing at the end of 2017 to symbolize this historical witness of the cleaning away the have-not end of the population.
Opening Exhibition of the New Taikang Art Museum in Beijing “Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century”. Xiao Lu’s work “Dialogue” was exhibited.
I began writing characters with a brush on xuan paper in primary school, copying masters such as Wang Xizhi and Yan Zhenqing. I slowly got used to letting my brush strokes move across the xuan paper. They record my various spontaneous musings, leaving an embodiment of my physical breaths of the moment. What seems an …
Curator: Elizabeth Ross
Location: Morelos Theater, Cuernavaca, Mexico
Time: 17 Oct. 2023 – 22 Oct
Exhibition: China the new frontier of Art, Curator:Vincenzo Sanfo, Location:Cultural & Institutional Center, Milan, Italy., Time:23 June, 2023 – 8 October
Whenever I look back at my works, it is like going back to a certain moment of that former me. The overlapping of past and present, the collision of time and life intertwined together, can always find traces of survival in the crevices of the works.